The result is that of a modern-day Bosch painting — a hellish vision of the city collapsing in on itself. “Jungle Fever” is its possess concussive force, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
It’s hard to describe “Until the top of the World,” Wim Wenders’ languid, far-flung futuristic road movie, without feeling like you’re leaving something out. It’s about a couple of drifters (luminous Solveig Dommartin and gruff William Harm) meeting and un-meeting while hopping from France to Germany to Russia to China to America about the run from factions of law enforcement and bounty hunter syndicates, nonetheless it’s also about an experimental engineering that allows people to transmit memories from one particular brain to another, and about a planet living in suspended animation while waiting for any satellite to crash at an unknown place at an unknown time And maybe cause a nuclear disaster. A good part of it really is just about Australia.
The cleverly deceitful marketing campaign that turned co-directors Daniel Myrick and Eduardo Sánchez’s first feature into one of the most profitable movies since “Deep Throat” was designed to goad people into assuming “The Blair Witch Project” was real (the trickery involved the use of something called a “website”).
Set in Philadelphia, the film follows Dunye’s attempt to make a documentary about Fae Richards, a fictional Black actress from the 1930s whom Cheryl discovers playing a stereotypical mammy role. Struck by her beauty and yearning for just a film history that displays someone who looks like her, Cheryl embarks on the journey that — while fictional — tellingly yields more fruit than the real Dunye’s ever had.
Hopkins’ Hannibal Lecter is amongst the great villains in film history, pairing his heinous functions with just the right quantity of warm-however-slightly-off charm as he lulls Jodie Foster into a cat-and-mouse game with the ages. The film needed to walk an extremely fragile line to humanize the character without ever falling into the traps of idealization or caricature, but Hopkins, Foster, and Demme were in the position to do exactly that.
Montenegro became the first — and still only femdom — Brazilian actor to be nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching yet never saccharine, Salles’ breakthrough ends with a fitting testament to The concept that some memories never fade, even as our indifferent world continues to spin forward. —CA
The movie is a tranquil meditation over the loneliness of being gay in a very repressed, rural society that, while not as high-profile as Brokeback Mountain,
“Confess it isn’t all cool calculation with you – that you’ve received a heart – even if it’s small and feeble and you will’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film includes a heart as well.
helped moved gay cinema away from being a strictly all-white affair. The British Film Institute rated it at number fifty in its list of the very best 100 British films from the 20th century.
earned important and viewers praise to get a cause. It’s about a late-18th-century affair between a betrothed French aristocrat plus the woman commissioned to paint her portrait. It’s a beautiful but heartbreaking LGBTQ movie that’s sure to become a streaming staple for movie nights.
Adapted from the László Krasznahorkai novel on the same name and maintaining the book’s brazzers dance-encouraged chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of a farming collective in post-communist Hungary, news of which inspires a mystical charismatic vulture of ravishing chick sophia castello bends over for rear fuck a man named Irimiás — played by composer Mihály Vig — to “return from the lifeless” and prey to the desolation he finds Among the many desperate and easily manipulated townsfolk.
The ’90s began with a revolt against the kind of bland Hollywood product or service that people might kill to see in theaters today, creaking open a small window of time in which a more commercially feasible American unbiased cinema began seeping into mainstream fare. Young and exciting directors, many of whom at the moment are significant auteurs and perennial IndieWire favorites, were given the assets to make multiple films — some of them on massive scales.
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Many films and television series before and after free porn hub “Fargo” — not least the Forex drama influenced with the film — have mined laughs from the foibles of Silly criminals and/or middle-class mannerisms. But Marge gives the rymjob lola foxx seduces model with rimjob original “Fargo” a humanity that’s grounded in respect for that simple, stable people with the world, the kind whose constancy holds Culture together amid the chaos of pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.